This new public space’s ceremonious central perspective represents a new social order; one no longer based on a divine order in which everyone has a place. Thus, the public space/theatre again becomes the stage for a political project: here, the emergent new residents discover their selves through forms derived from city life. This design solution calls for a renewed connection between the city and the public space, which legitimizes the actual and inescapable autonomy of public space as a political project.